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The Featherfolk

C

Chad Pet

TMF Poster
Joined
Mar 20, 2007
Messages
102
Points
0
I always liked those stories about the hapless gal or guy who got tied to a tree and the little faerie folk came along to collect giggles. :D
 
Another One?!?! Yer On A Roll , Man!

Sweet! Love the position this gal is tied in! I also like how the faeries seem to be contemplating what to do w/her ... or how to go about doing it.

------------------------------------------------------------

Faerie #1 - Well , we can try getting her this way ...

Faerie #2 - I like it. Let's get down to business , shall we?

------------------------------------------------------------

One question for ya , though : What's the deal w/the mask she's wearing? Is it something specific/intentional? ... or during the creative process , did she just 'end up' having this mask on her face?
 
Looks as great as alway! I like how you've done the fairies especially.
 
The way you draw... you should do comics. Your style would deffinetly look good in comics.
 
That's a very cute picture, I really love how that girl is tied to the tree. Cute feet too.
 
Outstanding! She seems to know what's coming next :D

Very cute!

Morandilas
MTJ Publishing
 
MTJpub said:
She seems to know what's coming next :D
Click to expand...

Playing with the idea that, just maybe, the actual tickling is not required if I can create dramatic tension.
 
TKLMAN said:
What's the deal w/the mask she's wearing? Is it something specific/intentional?
Click to expand...
Same question here.
 
Chad Pet said:
Playing with the idea that, just maybe, the actual tickling is not required if I can create dramatic tension.
Click to expand...

You hit that spot on with this one!

Morandilas
MTJ Publishing
 
Redscript said:
I think it's a mask to collect giggles.
Click to expand...
You know, it's the sanest reply I've got since I joined TMF ages ago.

...

I might as well pack and leave.
Nobody is likely going to make as much sense from now on.
 
TKLMAN said:
One question for ya , though : What's the deal w/the mask she's wearing? Is it something specific/intentional? ... or during the creative process , did she just 'end up' having this mask on her face?
Click to expand...

I wanted to communicate an emotion solely (no pun intended) through her eyes. The eyes are often called the window on the soul, but it's been my experience that the mouth conveys the majority of emotion. I wanted to leave that emotion ambiguous: is she scared, thrilled, excited, etc...

She has a pretty good idea what's about to happen (good money says that she's heard about these critters before), and being so close to & watching one's own bare soles can only amplify the event to be experienced. Is she scared--or looking forward to it?

"Ambiguity! The Devil's volleyball!"
- Emo Philips
 
Chad Pet said:
I wanted to communicate an emotion solely (no pun intended) through her eyes.
Click to expand...
You should admit, Redscript's explanation was really sound, too...

:)
 
Tickle-Art W/Meaning ... Cool!

Chad Pet said:
I wanted to communicate an emotion solely (no pun intended) through her eyes. The eyes are often called the window on the soul, but it's been my experience that the mouth conveys the majority of emotion. I wanted to leave that emotion ambiguous: is she scared, thrilled, excited, etc...

She has a pretty good idea what's about to happen (good money says that she's heard about these critters before), and being so close to & watching one's own bare soles can only amplify the event to be experienced. Is she scared--or looking forward to it?
Click to expand...

Gotcha! Pretty interesting reasoning behind you drawing that mask on her , Chad Pet. I like it!

Thanks for the explanation.
 
Kalamos said:
You should admit, Redscript's explanation was really sound, too...
Click to expand...

Actually that's the FUN part of leaving things to the imagination because exactly that kind of thing happens! Make gaps in the story, and readers will fill in those blanks themselves.
 
Chad Pet said:
Actually that's the FUN part of leaving things to the imagination because exactly that kind of thing happens! Make gaps in the story, and readers will fill in those blanks themselves.
Click to expand...
I must some kind of control freak: when I draw a pic I hate to leave gaps behind.

I want to plan everything out in advance, and it sort of unsettles me when people see something strange or different from what I had initially envisioned.

...

This leads me to wonder, how can one expect the unexpected, and how does Inquisition fit this all?

...

Forsooth.
 
Kalamos said:
I must some kind of control freak: when I draw a pic I hate to leave gaps behind.

I want to plan everything out in advance, and it sort of unsettles me when people see something strange or different from what I had initially envisioned.
Click to expand...

Alfred Hitchcock (and this may be apocryphal) is quoted as having said that there's nothing more frightening than an unopened door. I believe this is true, so long as there's reason to believe there's something unpleasant on the other side. A person's imagination can fill in all kinds of gaps if you let it, and this is the basic assumption behind leaving room for interpretation in a piece of art.

A more modern example would be Mel Gibson's original intent to release The Passion of the Christ without subtitles so that the performances would carry the story. He wanted the faces and body language to communicate. I believe that would have worked on a more visceral level, but would have put a significant dent into his ability to make back the money he spent on it.

As for artwork, sometimes I want to make a definitive statement about something, and I try to make it as easily decipherable as possible: here's what I want you to take away from this experience. In that sense you and I are alike. On the other hand, sometimes I'll want to only suggest a literary course of action (because illustration is a form of storytelling) and allow the viewer to fill in the blanks with his/her own fantasies or interpretations. The former method allows the viewer to be entertained without any significant labor, while the latter makes the relationship between artist and viewer more interactive.

It's a question of what you want to accomplish.
 
Chad Pet said:
The former method allows the viewer to be entertained without any significant labor, while the latter makes the relationship between artist and viewer more interactive.
It's a question of what you want to accomplish.
Click to expand...
Ironically, giving more would actually take away from the final enjoyment...
 
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