Similar to Primetime, I am someone who likes to take as much time as is required to develop compelling characters and a scenario in which the action can take place in an authentic way. Realism is key for me otherwise the story doesn’t connect. My first audience member is always myself – if I don’t enjoy it, it won’t work on any level. Thankfully, it turns out that there are people who like the story style of teasing, anticipatory longer build-ups and they ask me to write stories for them specifically because of that.
I agree that if there is a long build-up that there should be a sufficiently long action sequence to justify it, otherwise you are short-changing the reader.
From my own personal standpoint, basic errors in spelling, grammar and story structure will turn me off. It indicates a lack of care and, contrary to the beliefs of some, I like to know the writer cares about his work enough to make it the best it can be.
Also, I will scroll through a story before I read it, and if I see several lines of,“BWAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAAA!!!”, “HEEHEEHEEEHEEHEEHEEHEEHEEHEEHEEHEEHEEHEEHEEHEEHEEHEEHEEHEE!!!”, or, “NOOOOOOOOOOOOOOOOO-HO—HOHOHOHOHOHOHOHOHOHOHO!!!” I will move on. As a writer I will occasionally indicate laughing within the speech of characters, but relying on it completely doesn’t adequately convey what I want. This is the challenge for all writers: how to make your character’s reactions distinct from every other character who has been tickled in a story. It’s not easy!
I am interested to hear the opinions and constructive feedback of others, which is why I urge people to comment and have occasionally posted polls for story readers to respond to. However, I will only accept criticism from people with a grasp of manners and common decency – if you can’t express yourself genuinely, politely, without the unnecessary use of aggression (I haven’t, as far as I’m aware, caused the death of your entire family – I write tickling stories for fun!), and without the use of expletives in every other sentence, you (might) understand why I don’t respect your critical faculties!