Great drawings! Thanks for sharing them here.
Speaking only for myself, I prefer comics with a story line and I prefer lots of foot tickling.
Lovely drawing, but i'm curious if you ever do f/f?
I think story and situation are huge elements into what make a good picture. The better the setup, the more the payoff/execution works. Sometimes this can be conveyed in a single picture by stuff in the background or character dialogue, but it's usually easier to set up in a comic
Must say, FANTASTIC drawing quality! Absolutely adore your drawing style!
I think it might help the flow if there were a little more writing to help elaborate the scene.
Did you use references? If so, PLEASE let me know!!
On a personal note, I think in the second clip the guy on the right looks odd. Though I think all the proportions are correct, his hand tickling her ribs looks a little odd (to me). I don't think you want to over-detail and over complicate your drawings but with no difference in the shading from the hand tickling under the girl's ribs, her left breast blocking out part of his fingers, it differs little. Aside from colour change (less distinct from the muted palette you're intentionally using) it got me a little uncertain of just what is going on.
Another critique: though I think the expression on her face is accurate as it possibly can, I can't word it, but I think the angle of her face looks a little . . . odd? from that angle. I also think that second guy's eyes look a touch off (think it's showing both pupils from an eagle's-eye view that makes such detail seem odd. Though everything looks completely accurate and realistic, still).
I hope you take these personal qualms with a liberal grain of salt, as these are (I hope) personal preferences, and I don't think I could EVER make anything that looks near this fantastic! Thank you THANK YOU for sharing such awesomeness with all of us here!
Keep up the greatness! Thank for sharing!
in my opinion tickling must be more delicate... it means it may be hard tickling but the physical distress must consist of full exposition to tickling without giving any chance to self defense and the tickling... but if the ticklee suffers from other physical pains, it will prevent the tickle sensation...
Absolutely great art technique. Since you are asking and I appreciate your doing so, I love underarm tickling and I gravitate more towards that artwork and video.
Your art just keeps getting better, my friend! Great use of perspective; the angles chosen really enhance the victim's predicament! And I am a sucker for these desperation scenes, which often meet my personal fantasies. Also, although I am not as much into M/f as I am into F/f (more on that in the third paragraph), I really like when a "torture" scene feature two guys like this; you cannot help but fearing a little bit for the girl should they up the violence a notch.
To answer your original question: I like continuous stories very much, BUT they do not add that much to my enjoyment of the actual fetish material. I read a good fetish story just like I would read a mainstream story: I enjoy the pacing, the character development, the plot's convolutions... but when the torture shows up, it is only the buildup that I find gratifying, not the complexity of the plot itself. Sometimes, a single well presented image has more impact than a succession of panels which rarely match each other in intensity. Redscript pulled it off with his Elf Training masterpiece, but it is more the exception than the norm. Talking about him, he and another guy called DTKA sort of combine text and pictures for amazing results. It is not "comics", rather more "illustrated short stories" where the text is short, but tremendously enhances the impact of the story. I am not saying you should do that too, but I am just using them as examples on how a storyline (no matter how short) can improve a picture. I hope you see my point and I am not confusing you here; I realize as I am typing this that it is rather difficult to explain
I definitely lean more towards F/f than M/f; not sure why. I always enjoy F/f tickling more, but your M/f pictures are really really good, so please just draw what you feel the most comfortable with! If really it is all the same to you, and I can speak only for myself, I would request F/f tickling
As for feet vs upper-body, I am indifferent, as it all boils down to how it is done. I do have a foot fetish, so I could spontaneously say that I prefer foot tickling. Yet come to think of it, underarm tickling scenes can be just as amazing. I remember I was mind-blown by an absolutely divine portrayal of a particularly sadistic armpits tickling interrogation in FTKL's VU#3, page 1. I cannot post it here for obvious copyright reasons, but you surely know it already. If you don't, you should buy a copy; at the very least, it will serve as a good source of inspiration.
I agree for the comments about the perspectives and camera angles. It definitely makes for a more exciting page. Nicely done!
Indeed; I like uncomfortable positions to keep the ticklee totally exposed to tickling and which enhance the helplessness... but in my opinion there must not be any pain... in my opinion suffered pain would prevent tickle... in your picture I think the wrist restraint would definetely hurt the tickleeI like delicate tickling as well. In fact, that's the only kind I can do with my wife, and that's A-OK with me . As for my drawings, I go back and forth depending on context. For interrogation scenes with two large males, I thought the more intense tickling was appropriate, but I completely understand what you are saying. There's a line to be struck between the bondage situation (making it unique and immobile) and the state of the ticklee (her comfort, positioning and such). Pain would undoubtedly mute the tickling, and if I haven't done a good job of walking that line in the past I will try to be more aware of it going forward, because your completely right. Thanks!
The art is very nice, great work on that!
I personally like stories and plots versus one-offs, but as an artist I know it's sometimes more enjoyable to stick to easier projects. Perhaps you could go about doing a full comic, but take time here and there and do one off strips in color? Best of both!
Or maybe the panels used for advertising and promotion can be colored, while still in monotone for the actual scenes?
Best of luck with whatever you decide!
Thanks for your input! I think your probably right, and adding some context to my drawings is probably necessary if I want to move it all forward.
Thanks for taking the time to respond, as well. I was getting discouraged with the lack of input so far... so thank you very much!!