Here they are, the winners of the losers in this year of our Bush, 2004.
TAKING LIVES
Angelina Jolie should go into porn, because people don't watch her for the movies she picks; watching her give blowjobs for 5 minutes would be more substantial than watching her act for 2 hours in movies like Beyond Borders and this. Based on the book, this sequel to The Bone Collector details Jolie as a special FBI agent (is there any other kind?) tracking a killer who takes the identities of his victims. The story takes place in a French Canada where everyone speaks ENGLISH and acts like detectives in American thrillers. The story, dialogue and appearance of Kiefer Sutherland (perhaps THE MOST UNNECESSARY appearance in film history) are the only things more painful than the sex scene between Jolie and Ethan Hawke. I blazed through this film, and I say that having sat through all of The Mod Squad and feardotcom.
CATWOMAN
Halle Berry is a mediocre actress and even more meidocre human being (ask Howie Mandell), but even people like her have to work; it's only a shame other people have to see her do it. This film takes the famous DC comic book character and puts her in a non-DC universe, where she acquires the powers of cats to fight...evil cosmetics tyrants. Whether the shame falls primarily on Berry, a slumming Sharon Stone or the pretentious director, the ultimate shame is reserved for anyone popping this into a player.
ALIENS vs. PREDATOR
Watching this movie is like losing your virginity: you spend most of your life imagining a great moment that results in a hollow and very disappointing non-event that depresses you. For 14 years, people like me waited through countless false starts for this movie only to be greeted with a PG-13 rated piece of shit that takes all the teeth out of the two greatest sci-horror franchises of 20th Century Fox. In short, archaeologists discover a buried pyramid in Antarctica that serves as a training ground for Predators to hunt Aliens; said humans find themselves wedged between the fighting monsters, but do more running than anything else. About the only worthwhile scene in the entire film is watching a surprisingly nimble alien Queen tear ass through the snow at the end.
THE TEXAS CHAINSAW MASSACRE
This remake had the original story, the original cinematographer, and even original producers, but failed to produce original sentiment. Jerry Bruckheimer re-envisioned Tobe Hooper's unconquerable horror classic of circumstance into a true-crime-style story with a kick-ass trailer and a sympathetic Leatherface who barely registers any screen time. As Much as I love R. Lee Ermey, he deserves better roles than the cackly, psychotic "sheriff" who leads the kids to their doom inside a slaughterhouse. While it has a stronger opening and look than the original, the film has NONE of the elements that made the original the stuff of nightmares for the last 30 years: the culture just can't handle that kind of intensity. Watch the trailer, the laundry sheet chase, and then watch the original for the best effect.
THE VILLAGE
Now, this is somewhat of a misnomer because this in NOT a bad film...it's just poorly made. M. Night Shyamalan has made some of the best suspense movies in decades, yet with this allegorical film, you would think he never learned in the first place; which is a shame because the premise of this film is abso-fucking-lutely awesome. The citizens of an isolated village in the 1890s live in peace..and in fear of the myserious creatures who live in the woods that border their homes. The story may be great, but the film suffers from a criminally misused cast and some truly shoddy editing and camerawork, and the pace is simply too fast for the kind of dread it wants to create. I've never been more divided over an ending, but while it may work in some way, for all the setup that follows it, The Village is little more to me than a 2-hr episode of The Twilight Zone.
Also to NOT see this year
Christmas With the Kranks
Torque
The Chronicles of Riddick
Taxi
Sleepover
Alexander
Alfie
Spanglish
TAKING LIVES
Angelina Jolie should go into porn, because people don't watch her for the movies she picks; watching her give blowjobs for 5 minutes would be more substantial than watching her act for 2 hours in movies like Beyond Borders and this. Based on the book, this sequel to The Bone Collector details Jolie as a special FBI agent (is there any other kind?) tracking a killer who takes the identities of his victims. The story takes place in a French Canada where everyone speaks ENGLISH and acts like detectives in American thrillers. The story, dialogue and appearance of Kiefer Sutherland (perhaps THE MOST UNNECESSARY appearance in film history) are the only things more painful than the sex scene between Jolie and Ethan Hawke. I blazed through this film, and I say that having sat through all of The Mod Squad and feardotcom.
CATWOMAN
Halle Berry is a mediocre actress and even more meidocre human being (ask Howie Mandell), but even people like her have to work; it's only a shame other people have to see her do it. This film takes the famous DC comic book character and puts her in a non-DC universe, where she acquires the powers of cats to fight...evil cosmetics tyrants. Whether the shame falls primarily on Berry, a slumming Sharon Stone or the pretentious director, the ultimate shame is reserved for anyone popping this into a player.
ALIENS vs. PREDATOR
Watching this movie is like losing your virginity: you spend most of your life imagining a great moment that results in a hollow and very disappointing non-event that depresses you. For 14 years, people like me waited through countless false starts for this movie only to be greeted with a PG-13 rated piece of shit that takes all the teeth out of the two greatest sci-horror franchises of 20th Century Fox. In short, archaeologists discover a buried pyramid in Antarctica that serves as a training ground for Predators to hunt Aliens; said humans find themselves wedged between the fighting monsters, but do more running than anything else. About the only worthwhile scene in the entire film is watching a surprisingly nimble alien Queen tear ass through the snow at the end.
THE TEXAS CHAINSAW MASSACRE
This remake had the original story, the original cinematographer, and even original producers, but failed to produce original sentiment. Jerry Bruckheimer re-envisioned Tobe Hooper's unconquerable horror classic of circumstance into a true-crime-style story with a kick-ass trailer and a sympathetic Leatherface who barely registers any screen time. As Much as I love R. Lee Ermey, he deserves better roles than the cackly, psychotic "sheriff" who leads the kids to their doom inside a slaughterhouse. While it has a stronger opening and look than the original, the film has NONE of the elements that made the original the stuff of nightmares for the last 30 years: the culture just can't handle that kind of intensity. Watch the trailer, the laundry sheet chase, and then watch the original for the best effect.
THE VILLAGE
Now, this is somewhat of a misnomer because this in NOT a bad film...it's just poorly made. M. Night Shyamalan has made some of the best suspense movies in decades, yet with this allegorical film, you would think he never learned in the first place; which is a shame because the premise of this film is abso-fucking-lutely awesome. The citizens of an isolated village in the 1890s live in peace..and in fear of the myserious creatures who live in the woods that border their homes. The story may be great, but the film suffers from a criminally misused cast and some truly shoddy editing and camerawork, and the pace is simply too fast for the kind of dread it wants to create. I've never been more divided over an ending, but while it may work in some way, for all the setup that follows it, The Village is little more to me than a 2-hr episode of The Twilight Zone.
Also to NOT see this year
Christmas With the Kranks
Torque
The Chronicles of Riddick
Taxi
Sleepover
Alexander
Alfie
Spanglish



