C.A.B.
3rd Level White Feather
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Mashing right along in our mint dish of mostro meringue for OktoberFetish 2014 we visit upon a newer classic, The Nightmare Before Christmas,... Tim ( i don't wanna brush my hair, mom) Burton's long-shelved gothy wet-dream that finally became reality once he proved to the Disney echelon that he was a rainmaker with Beetlejuice. They were reluctant at first; that it might be too dark for kids, but, as is the nature of studio middle management, as soon as the box office cash rolled in, they proudly took ownership of the project as if they never had any reservations at all, and concern for kids went out the window.
As for myself, I've enjoyed this film much more on reviewing it recently than on its debut. And listening to the soundtrack enough times to make my OCD seem OCD, I gained a new respect for the musical intricacies (and voice) of composer Danny Elfman. Clever stuff. I would even dare venture some new respect for Tim Burton, learning that we share a hero in the immortal Ray Harrihausen... so for that I will give Tim some points, in spite of his tiresome "i hate grownups" issues he threads in all his movies. Once was enough in Beetlejuice, Tim. We get it. You don't like grownups.
So here, following a delightful and unexpected tickle scene that laid president in the real film, we expound on the concept that Oogie Boogie is indeed a dangerous fellow and probably not so easily contained in the Halloween Town scrapyard... given his temperament and sadism, its not hard to imagine what kind of ticklish revenge he would seek on poor Sally doll. Once might say, "leaving her in stitches." ...Cof!
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