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"Abyss" (Extremely dark fantasy tickling, top nudity, */F)

The Morlocks are at it again, making a meal of some hapless surface dweller! This is a view of dystopian future (or of CHUDS, devils, whatever; makes no nevermind, as long as they hold such jolly attitudes!), however, that I can really embrace; never before have I wanted to be a baddie quite so badly! It's a beautiful study in contrasts, all those blazing bodies throwing fractured shadows all over the inky cavern interior! Up top, through the distant cave mouth, the safety of sunlit day seems so unreachable; the lady truly is writhing in hopelessness! Design work is superb; the victimizing imps seem properly demon-ish while eschewing stereotypical satanic features (the single, curving phallic horn makes them seem like something out of one of the saucier Arabian Nights tales!). Weird half-seen structures suggest fungal growth (particularly that mottled thing the lady's stretched across), while the malefactors emerge vermin-like through indistinct fissures that belie any hope of firm footing! My heart goes out the poor object of all this ravenous attention… she does seem to be in a huge amount of distress (anguish reaction has trumped any notion of tittering); on the other hand, she's gotten to meet loads of interested, amorous bachelors with really strong bone structure. Who knows… we may just have met the next Queen of Hell!
 
:47:

Simply stunning work!

Fantastic presentation, gorgeous color work and beautifully illustrated!

You knocked this one out of the park!

BRAVO! :clap: :clap: :clap: :clap: :clap: :clap: :clap: :clap:
 
Anguis is just one of the hundreds of emotions that cross her face- this depicts Heaven, not the Bad Place!!!
 
Damn (literally) nice!

LOL! If this happens for real, it's one doomed scene. Pure fantasy... :scared

wow, thats pretty amazing, great job

Aaw… I feel guilty that the line art of the drawing is kind of rough, actually.

The Morlocks are at it again, making a meal of some hapless surface dweller! This is a view of dystopian future (or of CHUDS, devils, whatever; makes no nevermind, as long as they hold such jolly attitudes!), however, that I can really embrace; never before have I wanted to be a baddie quite so badly! It's a beautiful study in contrasts, all those blazing bodies throwing fractured shadows all over the inky cavern interior! Up top, through the distant cave mouth, the safety of sunlit day seems so unreachable; the lady truly is writhing in hopelessness! Design work is superb; the victimizing imps seem properly demon-ish while eschewing stereotypical satanic features (the single, curving phallic horn makes them seem like something out of one of the saucier Arabian Nights tales!). Weird half-seen structures suggest fungal growth (particularly that mottled thing the lady's stretched across), while the malefactors emerge vermin-like through indistinct fissures that belie any hope of firm footing! My heart goes out the poor object of all this ravenous attention… she does seem to be in a huge amount of distress (anguish reaction has trumped any notion of tittering); on the other hand, she's gotten to meet loads of interested, amorous bachelors with really strong bone structure. Who knows… we may just have met the next Queen of Hell!

You got the core, LowRoads. I am so grateful on how you expounded and dissected what I have in mind, but because it means I was able to convey it with clarity while you observe with depth. I really take that with importance in my artistic journey. First, you were able to perceive the “study in contrast.” It is indeed what this exercise is about. I want to achieve this all the time, or so I think.

Then how you mentioned the Morlocks and the wretchedness – yes, I read and watched some H.G. Wells too! This drawing is a dark fantasy character mix plus the altered version of Krampus, as I come across the character mix plus the altered version of incubus as an element of this scene. I want the worst at times. The softness and harshness combined – delicate woman and very damned tormentors, and the idea that something profound might come out of this horrendous thought.

Awesome work, Anno. This is a very fine example of top notch work for adults in TK art. Some of the best to be seen in these parts.

It means a lot to hear from you, being one of the few who have mastered creating the art around here. You will surely be closely observed.

:47:

Simply stunning work!

Fantastic presentation, gorgeous color work and beautifully illustrated!

You knocked this one out of the park!

BRAVO! :clap: :clap: :clap: :clap: :clap: :clap: :clap: :clap:

LOL! Cheers… I have to declare that the whole process of drawing this doomed art is FUN.

Interesting work.
Very dark indeed but also sexy. 🙂 Nice work!

That will start to make me blush now. LOL.

Anguis is just one of the hundreds of emotions that cross her face- this depicts Heaven, not the Bad Place!!!

Oh, I am glad you see beyond the fiendish mirth. It is what this drawing is all about, actually. Some unexpressed things that can’t get to surface.
 
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Call me strange, but I don't find this dark at all. It's beautiful. Sure, they're demons; but I've always had the view that demons can be both good or evil (depending on how they exercise their free will). Sure, they live underground, and dwell in caves and what not; but who are we to judge?

That lady looks like she's having the time of her (eternal) life. If that's damnation, then sign me up! I really wouldn't mind being one of those demons, though. The one munching on the back of the ticklee's knee, while simultaneously tickling her knee and foot looks like he took a page right out of my play-book. They all seem very gentle (and almost affectionate) in how they are handling her; tickling her on all the right places to give her that delicious balance of ticklish agony and erotic sensations.
 
Call me strange, but I don't find this dark at all. It's beautiful. Sure, they're demons; but I've always had the view that demons can be both good or evil (depending on how they exercise their free will). Sure, they live underground, and dwell in caves and what not; but who are we to judge?

That lady looks like she's having the time of her (eternal) life. If that's damnation, then sign me up! I really wouldn't mind being one of those demons, though. The one munching on the back of the ticklee's knee, while simultaneously tickling her knee and foot looks like he took a page right out of my play-book. They all seem very gentle (and almost affectionate) in how they are handling her; tickling her on all the right places to give her that delicious balance of ticklish agony and erotic sensations.

There is no artist who never doubt a work. A lot of times, I'd like to think that ART is nothing but organized blot on a piece of sheet and digital layer. But when I read comments like this, it simply help me go on and think that the struggle to bring out a bizarre concept, someone can see a parallel counterpart that is movingly unique as mindset. It just transcends me as an artist. Thank you.


Yes! Thank you. 😀 😀
 
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Anguis is just one of the hundreds of emotions that cross her face- this depicts Heaven, not the Bad Place!!!

Always been an interesting perspective I've had~ hell can easily be the kind of heaven for another. Even the most intense lee~ would think twice before being put into a situation where they're tickled for eternity.. but if the choice wasn't theirs to make...<3
 
Thank you.

Always been an interesting perspective I've had~ hell can easily be the kind of heaven for another. Even the most intense lee~ would think twice before being put into a situation where they're tickled for eternity.. but if the choice wasn't theirs to make...<3

Yes. Sweet anguish.

It's worst in continuum, actually. :devil2:
See attachment (an old drawing of mine). By now, I'll never know who would want to send me home. :scared
 
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"Diaboli Virtus in Lumbar Est"

My God! *&^%$#@!

-o0o-

Seriously though, a part of this art is a test on how the audience take this kind of theme. The rest is about presenting an upfront morbid fantasy with the kind of coloring that I assume to go with it. It made me smile that some find it beautiful other than something else. And lastly, it is one afternoon's personal madness.

That is the good thing about drawing: only the subconscious sense and execution go with the art, no physical presence.
 
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