makemlaugh2003
TMF Master
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As I sit musing over this being my one-hundredth post here on TickleTheater, I come to the inescapable conclusion that said milestone post of mine should have rather epic qualities, encompassing some of the best pop culture that the planet has ever witnessed (eighties films) and, at the same time, reflecting the embodiment of so many admirably heroic qualities that inspire so very much in all of us. You know, and crap like that. 😉 I'd love for this to hopefully blossom into discussion and debate from many sources, and I'd like to ultimately whittle the list down to a Top Ten for the decade in motion pictures. I DO, however, have some guidelines by which I plan on ultimately finalizing this list, and such criteria are as follows:
1) An actor or actress cannot appear on the list more than once
2) The character must NOT be a villain. That's not what I'm trying to advocate here. Sorry, but if you're a card-carrying baddie, you're off this list
3) No actual superheroes on this list, either. I mean, seriously, let's face it: if you're a supe, you're SUPPOSED to kick ass. That means we won't find The Terminator or Superman or the like highlighting this list of mine, keeds
4) The list mustn't include folks that essentially fight for sport throughout the whole movie, meaning no kickboxers/pugilists/street brawlers who stretch their violent hobbies out for pretty much the entire ninety-five minutes of the picture. You'll see why more versatility out of the characters on this list is so important here shortly
5) Hand-in-hand with the rule above it, it honestly helps if the actor/actress can at least, you know, ACT, a little bit, anyhow. So we have to thereby eliminate Chuck Norris, Steven Segall and Jean-Claude Van Damme (I'm fairly convinced those last two are the same person anyhow)
So what DO I mean by "kick ass," then? Well, to me, it's an all-encompassing collection of heroic traits and attributes, long beyond just the ability to boot tail when need arises. It also involves screen presence, charm, leadership ability and true depth of character: a "Renaissance ass-kicker," if you will. To wit, and to show how out of the box I'm thinking here, I offer a few of the ones from my preliminary list of twenty-five:
HAN SOLO (Harrison Ford, "Return of the Jedi"): Remember, we're talking eighties here, so forget the gruff, aloof, terminally hotshot flying ace from the original Star Wars. Once we get as far as Return of the Jedi, we see a far more well-rounded Solo, one that refuses to beg for mercy at the request of Jabba the Hutt when stationed on a plank above the Pit of Sarlaac, but yet panicks a bit at the mention of Boba Fett being nearby (and then kills him, COMPLETELY BY ACCIDENT), and later tries to politely defer when his eventual lady love, Princess Leia, in his eyes already had the hots for Luke Skywalker. Trouble is, by my rules, that leaves Indy Jones off the list, but ya can't win 'em all.
CHARLIE "C. D." BALES (Steve Martin, "Roxanne"): Talk about a guy that HAS to learn how to fight: C. D.'s cheese log of a honker was almost as much of a red flag for namecallers as Johnny Cash's boy named Sue. And sure, he was quick and lethal with a well-placed fist or tennis racket (he even poked a guy's eye almost completely out with that Coney Island dog nose of his), but he defended his honor and his colossal beak with such wit, charm and aplomb, gaining the respect of virtually all in that small one-horse town for which he was a dutiful fire chief. I mean, what OTHER film character got to both kick Kevin Nealon's ass AND kiss Daryl Hannah? 'Nuff said.
ATOUK (Ringo Starr, "Caveman"): A man of few words (due largely to a grossly-underdeveloped prehistoric vocabulary) in a movie of not too many words either, Atouk had to combat both a nearby tribe of thuggish bullies AND occasionally do battle with the type of animatronic dinosaur that made the one from the original Land of the Lost TV show look like a Rembrandt masterpiece. Much punier than some of the other cave dwellers (among them John Matuszak, Avery Schreiber (!) and Richard Moll, who was "Bull" later in Night Court), Atouk had to rely on his wits (such as they were) and weigh his survival instinct against his budding attraction for Our Fair Damsel, Shelley Long. His heart was pure, his loyalties unwavering, his brain the size of a walnut, but two outta three ain't bad...
Get the idea yet? There are some obvious ones, sure (John McClain as portrayed by Bruce Willis in "Die Hard" and Bud Davis, John Travolta in "Urban Cowboy" come to mind easily), but I intend for the list to be a varied one and yet still adhere to the guidelines I specified above. With that, PLEASE discuss, gang! I want input! This will end up being OUR list, not just mine. 🙂 This is certainly a raging debate that must once and for all be settled by none other than this merry band of TickleTheatergoers! lol
1) An actor or actress cannot appear on the list more than once
2) The character must NOT be a villain. That's not what I'm trying to advocate here. Sorry, but if you're a card-carrying baddie, you're off this list
3) No actual superheroes on this list, either. I mean, seriously, let's face it: if you're a supe, you're SUPPOSED to kick ass. That means we won't find The Terminator or Superman or the like highlighting this list of mine, keeds
4) The list mustn't include folks that essentially fight for sport throughout the whole movie, meaning no kickboxers/pugilists/street brawlers who stretch their violent hobbies out for pretty much the entire ninety-five minutes of the picture. You'll see why more versatility out of the characters on this list is so important here shortly
5) Hand-in-hand with the rule above it, it honestly helps if the actor/actress can at least, you know, ACT, a little bit, anyhow. So we have to thereby eliminate Chuck Norris, Steven Segall and Jean-Claude Van Damme (I'm fairly convinced those last two are the same person anyhow)
So what DO I mean by "kick ass," then? Well, to me, it's an all-encompassing collection of heroic traits and attributes, long beyond just the ability to boot tail when need arises. It also involves screen presence, charm, leadership ability and true depth of character: a "Renaissance ass-kicker," if you will. To wit, and to show how out of the box I'm thinking here, I offer a few of the ones from my preliminary list of twenty-five:
HAN SOLO (Harrison Ford, "Return of the Jedi"): Remember, we're talking eighties here, so forget the gruff, aloof, terminally hotshot flying ace from the original Star Wars. Once we get as far as Return of the Jedi, we see a far more well-rounded Solo, one that refuses to beg for mercy at the request of Jabba the Hutt when stationed on a plank above the Pit of Sarlaac, but yet panicks a bit at the mention of Boba Fett being nearby (and then kills him, COMPLETELY BY ACCIDENT), and later tries to politely defer when his eventual lady love, Princess Leia, in his eyes already had the hots for Luke Skywalker. Trouble is, by my rules, that leaves Indy Jones off the list, but ya can't win 'em all.
CHARLIE "C. D." BALES (Steve Martin, "Roxanne"): Talk about a guy that HAS to learn how to fight: C. D.'s cheese log of a honker was almost as much of a red flag for namecallers as Johnny Cash's boy named Sue. And sure, he was quick and lethal with a well-placed fist or tennis racket (he even poked a guy's eye almost completely out with that Coney Island dog nose of his), but he defended his honor and his colossal beak with such wit, charm and aplomb, gaining the respect of virtually all in that small one-horse town for which he was a dutiful fire chief. I mean, what OTHER film character got to both kick Kevin Nealon's ass AND kiss Daryl Hannah? 'Nuff said.
ATOUK (Ringo Starr, "Caveman"): A man of few words (due largely to a grossly-underdeveloped prehistoric vocabulary) in a movie of not too many words either, Atouk had to combat both a nearby tribe of thuggish bullies AND occasionally do battle with the type of animatronic dinosaur that made the one from the original Land of the Lost TV show look like a Rembrandt masterpiece. Much punier than some of the other cave dwellers (among them John Matuszak, Avery Schreiber (!) and Richard Moll, who was "Bull" later in Night Court), Atouk had to rely on his wits (such as they were) and weigh his survival instinct against his budding attraction for Our Fair Damsel, Shelley Long. His heart was pure, his loyalties unwavering, his brain the size of a walnut, but two outta three ain't bad...
Get the idea yet? There are some obvious ones, sure (John McClain as portrayed by Bruce Willis in "Die Hard" and Bud Davis, John Travolta in "Urban Cowboy" come to mind easily), but I intend for the list to be a varied one and yet still adhere to the guidelines I specified above. With that, PLEASE discuss, gang! I want input! This will end up being OUR list, not just mine. 🙂 This is certainly a raging debate that must once and for all be settled by none other than this merry band of TickleTheatergoers! lol
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