The Last Laugh
3rd Level Green Feather
- Joined
- Apr 21, 2001
- Messages
- 4,590
- Points
- 38
Hello everyone,
Ok, so maybe the title of this post is a bit silly, but it's actually relevant to one of the clips presented here. I've released the last two clips of the Last Laugh Ayin series (#6 and #7, descriptions below). The DVD version and the full-length clip version are available as well.
CLIP #6
"We're still using the weight bench, but Magias' position is now completely different. She lies on her back with her legs in the air, knees bent, her ankles restrained to a padded bar that's placed where a barbell would usually be hanging. That way her soles are facing up. Toe cuffs further limit her movements. Her wrists are loosely restrained between her ankles, and she often grasps the bar as she endures the tickling. This is a rather bunched up, awkward position for her, but she tolerates it quite well. I have to say that it makes it rather hard for me to find a good angle for fitting all the elements I want in the same shot. Sometimes I have to hold the legs of the camcorder's tripod so I can film from above. But I manage ok enough, I think. Anyway, Madria spends long minutes tickling Magias' helpless feet, drawing cute giggles from her. I help out a little bit, but the tickling is mostly Madria's job for now."
CLIP #7
"The same scene continues, expect that I contribute to the ticking a lot more, and I get different angles than before. Because I'm not often behind the camcorder and don't always know exactly what's in the shot, the picture isn't always very well centered durign this scene. Thing is, I moved the camcorder so that Madria would be more visible, but I ended up cutting out part of one of Magias' feet (the one I work on myself). Sorry about that. But it's not that bad, and on the up side, after about a minute we make a totally random discovery when we find out that the best tool to use on Magias' feet are little plastic dinosaurs that I had handy for another type of shoot. Magias' laughter increases quite noticeably when we start using the little guys (or girls, who knows?) I especially like the dorsal plates of a stegosaurus, though any dinosaur's tail works quite well too. Same for a pteranodon's wing. I hand Madria a couple of dinosaurs so she can try them too, and I wedge a few between Magias' toes. Magias has handled all the tickling pretty well so far in the shoot, but after a while with the dinosaurs she actually asks us repeatedly to stop. We don't, but it's pretty clear that it's really getting to her now. Even when we drop the plastic accessories her reactions seem more intense than before."
Please note that while the previews are only 320x240, the actual clips are 640x480.
Ok, so maybe the title of this post is a bit silly, but it's actually relevant to one of the clips presented here. I've released the last two clips of the Last Laugh Ayin series (#6 and #7, descriptions below). The DVD version and the full-length clip version are available as well.
CLIP #6
"We're still using the weight bench, but Magias' position is now completely different. She lies on her back with her legs in the air, knees bent, her ankles restrained to a padded bar that's placed where a barbell would usually be hanging. That way her soles are facing up. Toe cuffs further limit her movements. Her wrists are loosely restrained between her ankles, and she often grasps the bar as she endures the tickling. This is a rather bunched up, awkward position for her, but she tolerates it quite well. I have to say that it makes it rather hard for me to find a good angle for fitting all the elements I want in the same shot. Sometimes I have to hold the legs of the camcorder's tripod so I can film from above. But I manage ok enough, I think. Anyway, Madria spends long minutes tickling Magias' helpless feet, drawing cute giggles from her. I help out a little bit, but the tickling is mostly Madria's job for now."
CLIP #7
"The same scene continues, expect that I contribute to the ticking a lot more, and I get different angles than before. Because I'm not often behind the camcorder and don't always know exactly what's in the shot, the picture isn't always very well centered durign this scene. Thing is, I moved the camcorder so that Madria would be more visible, but I ended up cutting out part of one of Magias' feet (the one I work on myself). Sorry about that. But it's not that bad, and on the up side, after about a minute we make a totally random discovery when we find out that the best tool to use on Magias' feet are little plastic dinosaurs that I had handy for another type of shoot. Magias' laughter increases quite noticeably when we start using the little guys (or girls, who knows?) I especially like the dorsal plates of a stegosaurus, though any dinosaur's tail works quite well too. Same for a pteranodon's wing. I hand Madria a couple of dinosaurs so she can try them too, and I wedge a few between Magias' toes. Magias has handled all the tickling pretty well so far in the shoot, but after a while with the dinosaurs she actually asks us repeatedly to stop. We don't, but it's pretty clear that it's really getting to her now. Even when we drop the plastic accessories her reactions seem more intense than before."
Please note that while the previews are only 320x240, the actual clips are 640x480.
