tickleboynyc asked You WROTE a tickling video?!? Oh, lemmeguess..."Then Dorothy tickles Cathryn's sole. Then she does it some more. Cathryn laughs. She laughs again." Something like that?
Yes it's something like that...
Here is my script for the first sceen in Cathryn's Tickling Torment (Pt 1)
Scene One
Set: On a rug covered floor. A nice open space.
Clothing: C and D should be nude except for panties.
Bondage: This is a straightforward and simple straight body restrictive tie. C’s arms should behind her back, tied at the wrists, side by side (not crossed) with a nice solid tight cinch. A second rope should wrap her torso just under her breasts to pin her upper arms to her sides tightly. There should be tight cinches at the ankles and just above the knees to keep her legs together. Basically we have all the makings of a hog tie, without the final rope connecting the ankles to the wrists. A toe tie between big toes completes our package.
Positions: There are four for this scene. For the first two segments (0.0 to 2.0, and 2.0 to 5.0 minutes) C should be placed flat upon her back, with her head cradled in D’s lap. This image is very important to the client, and is a must have. For the third segment (5.0 to 8.0) D should kneel/sit over C’s pelvis holding C down with her weight. For segment four (8.0 to 10.0) D should be next to C, with access to her whole body, but no weight on C. The final scene has D astride an overturned C as noted below. If at any time during either of the segments where D is sitting upon C, and she feels that she needs to remove her weight for C’s benefit, than it’s Ok to move off to the side. With both scenes split, and no more then three minutes each, this might not be an issue.
Camera angle: We should have a good view of C’s entire body from top of her head to where her waist. Shot can move about so long as we continue to see this area, and D’s attacks upon it.
Action: The focus of this scene will be upper body tickling with concentration upon the stomach, sides, breasts, and neck. It should break down as following:
Minute 0.0 to 2.0: This time will be used for an exploration of C’s neck and ears, and even face and lips. Steady tickling, not too rough since gentle tickling produces the best results in these areas. A must for this segment is to have both hands on C, one on each side of her neck, each working on her necks sides, and ears at the same time. As C’s head is rested in D’s lap, D will have excellent access to her neck and ears. The intimate image of C’s head in D’s lap for these first two segments plays an important role to the client, and the level of tickling should be lighter to reflect this intimate feeling. This is a great segment for teasing, and D to banter with C. We can move the camera in closer here, as it’s a rather tight area of action
Minute 2.0 to 5.0: This three minutes is for the breasts. Not many videos cover this type of tickling so this is a key segment. Basically this time is going to be used to tickle the nipples, the sides of, and bottoms of C’s breasts, and the area from her throat down between them. Time should be spent on each breast, and nipples singly, and then with nipples/ areolas simultaneously. Gentle, but persistent tickling is again an excellent choice here, continuing the intimate feel the position lends to the shot. The goal is to find actions that produce solid responses, and show C’s inability to maintain control. D will continue to operate from a position above C’s head for this shot, keeping C’s head in her lap. A bit awkward, but I should look rather sexy, and quite unlike anything that has been filmed for a tickling video before. Always nice to break new ground.
Minute 5.0 to 8.0: With the warm up of the neck and breasts done, we move on to the main event. Stomach. This time will be spent exploring everything between C’s breasts and the top of her panties. This includes the parts of her ribs that are not shielded by her tied arms. This is the segment where D’s weight will be needed on C to maintain solid control of her, as the tickling for this scene will be much harsher than the two before. Get her laughing and keep her laughing. Must have shots include running your fingers in circles about her bellybutton, and into it. A very important image required by the client that must be included in this segment is the image of D’s fingers pressing into the flesh of C’s stomach a bit while she tickles it. Much like one would press fingers into bread for kneading. Over all, for this segment we want to stay on the stomach and not stray too far. Both hands working on the sides/ribs of the stomach is another must shot.
Minute 8.0 to 10.0: D is now off of C again, and positioned by her side. This is a free form time for D to use all the information that she has learned in the previous eight minutes to have what ever sadistic fun that she wants to on the areas of stomach, breasts, neck and ribs. As C will not have any weight upon her, she can thrash quite freely in this scene, and D should perhaps aim her tickling to produce movement as well as laughter.
Minute 10.0 to 13.0: Position change: Turn C onto her stomach (this would ideally be done at the end of the previous scene by causing her to flip over by strategically tickling her, but if that’s not possible, D can manually turn her), D should then straddle C again, this time facing her feet with her weigh over C’s back and lower arms to pin her down. Time should be spent tickling C’s ass through the panties (concentrate at least half the time here) If the position becomes difficult for C due to the weight, D can shift to sitting on C’s lower legs facing C’s head, and continue to tickle the back of her thighs, knees, and ass. The back of C’s legs, and knee pits should get the rest of the time. For the last half minute or so D should stretch down (or turn about, depending on her position) and pay a bit of attention to C’s feet. This is just a small taste of the longer foot segment we will begin scene two with, and will provide a nice continuity flow into that new position. Camera can take a side angle that gives us C’s face and the tickling action at the same time, for the ass and leg segment, slowly rotating around D as D moves to the feet.
And so it goes for the other segments. There was also a set/clothing/style and camera work sections.
I've received The New Darla video today, and plan to provide a review as soon as I have time to watch it, and write one.
Myriads
