c7_assassin
3rd Level Black Feather
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I just watched The Hangover Part II through a combination of not wanting to do anything productive today and passing a multiplex in my car at about 1 PM. I had seen The Hangover and enjoyed it...I mean, the premise was amusing and the chemistry between the three male leads was entertaining. And I suppose I have to say the same of The Hangover Part II. I mean, literally, mathematically speaking I have to say the same thing about The Hangover Part II, because it was the exact same movie.
Now, I know that a sequel by definition draws upon the original. You can't write a Karate Kid sequel where Daniel develops a pot habit and hatches a crazy scheme to drive his college roommate to suicide in order to salvage his failing grades. You can't make a Jaws movie about how Brody moves his family into suburbia and discovers his neighbours are actually a family of vampires. You can't make a Star Wars sequel starring a 9 year-old kid and a cartoon rabbit. The point is, people see sequels because they like the original and want more of the same. But there is a fine line between giving them what they want, and giving them what they've already had once before. That's the difference between eating you favourite meal at a restaurant you love and being force-fed shit from that restaurant's toilet by an angry wait staff.
I'm normally not one to throw around absolute statements, but when I say there is no difference between these two movies, I really mean it. Everything is the same. Everything. Every beat, every joke, every problem, every twist, same, same, fucking same. Same where it would have cost them nothing to be different. Same where it would have helped. Same where it could have gone unnoticed. Never have I seen a film that was so steadfastly determined to be unoriginal.
Now, normally I would have compunctions about spoiling the endings of things, but if you've seen The Hangover, you already know everything already. So maybe this will help show what I'm talking about:
Even though there are four friends in the group, only Bradley Cooper, Ed Helms, and Zack Galifianakis wake up with amnesia (check!)
They can't remember anything because Galifianakis drugged them (check!)
The guy they're looking for was back at the hotel the whole time, stuck someplace he couldn't escape on his own (check!)
Ken Jeong is trapped in a tiny space, and once freed leaps out and attacks them all (check!)
Ed Helms fooled around with someone he shouldn't have last night (check!)
Ed Helm's face got messed up (check!)
Ed Helms flips out on the person who's been tormenting him at the wedding (check!)
Ed Helms reminds me a lot of Andy Bernard (check!)
Ed Helms annoys me a lot (check! check! check! check! check!)
...and so on. I mean, as it's been pointed out elsewhere, it's like the producers took The Hangover script and just did a find-and-replace with 'monkey' for 'baby' (and also 'tranny Thai hooker' for 'Heather Graham and her fantastic tits'...yes, apparently the Hangover franchise can't even recycle itself properly).
Does all this make it a bad movie? Well...I honestly don't even know. I mean, it wasn't 'bad' in 2009...the question of whether Part II is 'bad' raises all sorts of existential questions about how we judge art. I will say that Part II probably does make the writers bad, and it makes the actors look pretty bad, and it probably makes the producers objectively bad people...does this mean the movie isn't worth seeing? That's really up to you. But it is perhaps the final irony of this film is that the only people who can really appreciate The Hangover Part II are those suffering from drug-induced amnesia themselves.
Now, I know that a sequel by definition draws upon the original. You can't write a Karate Kid sequel where Daniel develops a pot habit and hatches a crazy scheme to drive his college roommate to suicide in order to salvage his failing grades. You can't make a Jaws movie about how Brody moves his family into suburbia and discovers his neighbours are actually a family of vampires. You can't make a Star Wars sequel starring a 9 year-old kid and a cartoon rabbit. The point is, people see sequels because they like the original and want more of the same. But there is a fine line between giving them what they want, and giving them what they've already had once before. That's the difference between eating you favourite meal at a restaurant you love and being force-fed shit from that restaurant's toilet by an angry wait staff.
I'm normally not one to throw around absolute statements, but when I say there is no difference between these two movies, I really mean it. Everything is the same. Everything. Every beat, every joke, every problem, every twist, same, same, fucking same. Same where it would have cost them nothing to be different. Same where it would have helped. Same where it could have gone unnoticed. Never have I seen a film that was so steadfastly determined to be unoriginal.
Now, normally I would have compunctions about spoiling the endings of things, but if you've seen The Hangover, you already know everything already. So maybe this will help show what I'm talking about:
Even though there are four friends in the group, only Bradley Cooper, Ed Helms, and Zack Galifianakis wake up with amnesia (check!)
They can't remember anything because Galifianakis drugged them (check!)
The guy they're looking for was back at the hotel the whole time, stuck someplace he couldn't escape on his own (check!)
Ken Jeong is trapped in a tiny space, and once freed leaps out and attacks them all (check!)
Ed Helms fooled around with someone he shouldn't have last night (check!)
Ed Helm's face got messed up (check!)
Ed Helms flips out on the person who's been tormenting him at the wedding (check!)
Ed Helms reminds me a lot of Andy Bernard (check!)
Ed Helms annoys me a lot (check! check! check! check! check!)
...and so on. I mean, as it's been pointed out elsewhere, it's like the producers took The Hangover script and just did a find-and-replace with 'monkey' for 'baby' (and also 'tranny Thai hooker' for 'Heather Graham and her fantastic tits'...yes, apparently the Hangover franchise can't even recycle itself properly).
Does all this make it a bad movie? Well...I honestly don't even know. I mean, it wasn't 'bad' in 2009...the question of whether Part II is 'bad' raises all sorts of existential questions about how we judge art. I will say that Part II probably does make the writers bad, and it makes the actors look pretty bad, and it probably makes the producers objectively bad people...does this mean the movie isn't worth seeing? That's really up to you. But it is perhaps the final irony of this film is that the only people who can really appreciate The Hangover Part II are those suffering from drug-induced amnesia themselves.