Okay, since House on Straw Hill(1976) was so bad, I'm claiming 1932's Doctor X as my most recent view. Good shit if you're into the classics at all.
Very good recommendation, Rick, and I would add that if you liked Doctor X, you may also like its partner film The Mystery of the Wax Museum (1933). Unfortunately, the only DVD release is a bare bones version from 2004 with color adjusted to give the film a blue bias rather than green. That's a small gripe, though, and one with which most people won't (or don't) concern themselves.
Just saw G.I. Joe with my son tonight. Great fun movie. So glad my son is old enough to want to see action flicks. Romantic comedies are great, but sometimes you just gotta see a 'guy' movie, ya know?
At the Silent Film Society of Chicago: Douglas Fairbanks, Sr (not Jr) in The Thief of Bagdad, complete with flying carpet special effects and the newly installed theater organ with elevating console.
I really wanna track that one down after seeing(and enjoying) Dr. X. Many of the same crew were apparently involved. I was especially taken with the set design work of the Polish genius who worked on Dr. X. His name escapes me at the moment, but he was involved with a whole slew of Hollywood greats.
Incidentally, I saw the technicolor version of Doctor X. There is also a b&w version, shot simultaneously. Normally, especially in the case of movies shot originally ONLY in black & white, I'll opt for the original over the colorized. In this case, I highly recommend seeing this movie in the original technicolor. It's really only shades of two primary colors, but it's done so ingeniously, it really adds to the atmosphere of the picture.
I've both read and heard rumors that the set was somewhat inspired by the "death castle" of serial killer H.H. Holmes, but I'm not sure if I truly believe that. I too have seen the technicolor version (it came in horror classics DVD set with five other MGM/Warner films), but I know the black-and-white version has been on TCM in the past. According to the commentary, the b&w version is somewhat different--different shots, different dialogue/adlibs (due to redone takes with the b&w camera), etc. I'd very much like to see it one day.
And, yes, the two-color technique is so well-done that you barely notice that there are only two tones.